{"id":130299,"date":"2020-01-15T16:53:12","date_gmt":"2020-01-15T14:53:12","guid":{"rendered":"https:\/\/www.waitfashion.com\/armani-fw20-21-the-tactile-impressions-of-the-new-male-figure\/"},"modified":"2020-01-15T16:53:12","modified_gmt":"2020-01-15T14:53:12","slug":"armani-fw20-21-the-tactile-impressions-of-the-new-male-figure","status":"publish","type":"post","link":"https:\/\/www.waitfashion.com\/en\/armani-fw20-21-the-tactile-impressions-of-the-new-male-figure\/","title":{"rendered":"Armani FW20-21: the tactile impressions of the new male figure"},"content":{"rendered":"

Impressioni Tattili is the name of the Armani’s Fall Winter 20-21 fashion show, which took place at the Armani Theater. With this concept, King Giorgio aims to elevate touch to a physical representation of the matter.\u00a0<\/span><\/h2>\n

\"MFW,<\/p>\n

Quoting the art critic Berenson<\/b> and his expression “tactile values<\/i><\/b>“, the designer make a sort of revolution<\/b>. Against the contemporary drift that sees the touch become an aseptic gesture<\/i>, aimed exclusively at the digital touch that we use on our electronic devices, the stylist re-establishes the rules<\/b>.<\/p>\n

So who better than him, that has always dictated the rules of timeless elegance<\/i>. This collection<\/a> expresses itself through the wise use of materials<\/b>, even the most recent and innovative, creating garments with classic shapes but also garments that follow the latest trends, with impactful volumes<\/b>.<\/p>\n

\"MFW,<\/p>\n

The result is a roundup of “physical objects<\/i>” whose matter triggers the impulse<\/b> to give in to tactile sensations<\/b> and touch the man who parades. A mix of tradition and innovation<\/i> in the contemporary way of dressing, that doesn’t forget the most classic forms.<\/p>\n

The dualism of tradition\/innovation<\/b> can be seen both in the Giorgio Armani collection – which also includes the “Neve<\/i>” capsule<\/b>, a proposal for technical clothing for the most winter climates – and in the Ea7 Emporio Armani<\/b> collection. The second line<\/a> no longer acts as a technical derivative of the first, but rather takes on a more or less similar stylistic identity (with a slightly futuristic<\/b> mood, which remind a little of the Matrix<\/b> atmospheres) while maintaining a different target<\/b>.<\/p>\n

\"MFW,<\/p>\n

The installation of the parade revolved around a central exposure of cubes and ice sheets <\/i><\/b>made of Plexiglas, to remain themed with the snow proposals. The current theme of ecology and sustainability<\/i> is present without too many preambles, if not with R-EA (Recycled Emporio Armani)<\/b> which sees garments made entirely with recycled materials and with a streetwear<\/b> flavor, with the reuse of the installation in Plexiglas inside the Armani stores.<\/p>\n

\"MFW,<\/h2>\n

After the snow proposals, we move on to the formal looks <\/b>for the day, with which the stylist plays at home being on the safe side. Present the inevitable double-breasted, cashmere jackets well defined by fit cuts and visible stitching<\/i>, with matching vest<\/i> and trousers.<\/p>\n

\"MFW,<\/h2>\n

\"MFW,<\/h2>\n

And then velvet<\/b>, wool<\/b> and fleece<\/b> for unstructured garments revisited<\/i><\/b> in a modern key but which do not lose the essence of the Armani man<\/i>. Particular focus is given to outwear<\/b>, suits and accessories; the gray<\/b>, black<\/b> and white<\/b> colors are interspersed with some shades of green<\/b> or red<\/b>, unlike Ea7<\/b> which proposes garments that are not afraid to dare in colors or pattern, and who do not care to overturn the fate of the brand.<\/p>\n

THE SHOW<\/h2>\n
Giorgio Armani FW20<\/h5>\n